For the most part, I'm over undead films. While classics like 28 Days Later and the early seasons of The Walking Dead were gripping, the genre feels mostly exhausted at this point. Yet the much-awaited 28 Years Later has been sitting in my watchlist for months. But, the platform's new Southeast Asian zombie flick, The Elixir, managed to defy my expectations turning out remarkably enjoyable.
Excellent Pacing and Personal Development
One of the film's greatest strengths lies in the superb rhythm. It kicks off using a memorable initial scene in which a peaceful family party is violently interrupted by a van crashes into the seating section. Out of the van, a very undead-looking individual emerges proceeding attacking the partygoers. This intense scene is immediately followed by a flashback, giving viewers to observe the family prior to the disaster occurred.
Unlike many zombie films, The Elixir truly gives the audience enough time to get to know the primary characters prior to the chaos ensues. We meet Nes, a wife and mother whose former close friend, Karina, has become married to her dad—an obviously awkward situation. Naturally, this has understandably caused a falling out among the two women. We also see Nes' brother, Bang, described as kind-hearted yet a bit inept socially, and who enjoys playing video games alongside his nephew, Raihan. Nes' husband, Rudi, appears to have lately been unfaithful to Nes. The family head consists of her dad, who runs a well-known natural medicine business called Wani Waras, and who seems focused on only two aspects: his work and his marriage to his daughter's ex-best friend. Needless to say, this family reunion proves incredibly strained.
Engaged in the Conflict
I found myself so engrossed with this household's issues and their interpersonal drama to the point I almost forgot I was watching a horror film—which might seem like a drawback, yet ultimately paid off. The Elixir dedicates a considerable portion of the film depicting us who each relative represents, and how they add to the general dysfunction. This focus on clashing personalities allowed me to connect to the personalities enough to be concerned for their outcome—an uncommon accomplishment in a genre which frequently presents individuals just to eliminate them shortly afterwards. The Elixir avoids portraying its characters as flat, disposable victims for an army of zombies to consume, so it's a genuine shock when things finally deteriorate.
Reminiscent of Parasite
The opening scenes from the gathering and various household exchanges actually bring to mind the movie Parasite, a story which disguises itself like a K-Drama featuring slightly dark humor prior to taking an abrupt turn into shocking territory. These early moments don't focus too heavily on comedy compared to Parasite, yet The Elixir still gives enough opportunity to settle into the setting before everything gets turned upside down.
Original Infection Source
The film also offers a fairly intriguing explanation for the source of the spreading zombification. Rather than an accidental lab leak or a type of bioweapon, the source for this contagious disease stems from a new sample of Wani Waras natural medicines created by her dad. Although some background is provided a bit about its origins, it would have been better if the film devoted a little more focus on how Wani Waras went from a reputable purveyor of holistic medicine to creating a deadly potion which seems to include a highly contagious virus. Regardless of the limited background, the impact this condition produces on people is absolutely repulsive, which I appreciate. The Elixir's zombies prove quick, freaky-looking, and, maybe most disturbingly, always smiling. This represents a bold choice, yet it succeeds. The Elixir's physical effects and computer graphics are also very convincing, and they're practically guaranteed to provoke a fear of holes.
Resourceful Characters
More impressive compared to the disgusting scenes is the cast themselves. Of course, we see a few instances of dubious decision-making (like any typical zombie movie), however for the most part, Nes and her family are resourceful and quick-thinking. They also aren't afraid to strike an undead in the face, stab it using a farm tool, or beat it over the head with whatever heavy object is available rather than standing still like a deer in headlights while danger approaches.
Believable Familial Discord
The Elixir doesn't abandon its themes on family conflict when people start turning into zombies, which was a welcome realistic deviation from the "We don't get along|"We have issues, but since you nearly died I immediately pardon you for all your mistakes!" cliché frequently used in apocalyptic films. It's clear, Nes cares for her relatives and values her spouse, Rudi, yet it's equally apparent she's still holding onto bitterness regarding his infidelity in their relationship. Once the household gets separated, they decide via telephone to regroup at a nearby location. However, once Bang reveals he doesn't know how to get there, Nes unleashes a massive level of irritation toward Bang which has obviously been building over time. Nes is not perfect, and her relatives—flawed as it is—feel realistic and relatable because the film doesn't try to push the idea that nearly dying immediately resolves family tensions. This causes those instances when these characters express appreciation toward one another feel far more sincere.
Predictable Ending
In spite of The Elixir's strong efforts to break new ground, the conclusion must be said to be a bit stereotypical. The Elixir isn't really offering up any deep message about family or society, either. Rather, it's mostly serving up frights. Yet these are successful scares, and since the film allows every personality sufficient space to develop and doesn't punish them for their imperfections, the result proves a captivating and entertaining
